With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
In Nelson, the chief of the firemen C. D. Bales is a man with complex since he has a huge nose. When his friend Dixie rents her house to the gorgeous student of astronomy Roxanne, he falls in love with her but keeps his feelings as a secret. C.D. hires the handsome fireman Chris and Roxanne asks C.D. to help her to date him. However Chris is an average American with very limited culture and he asks C.D. to help him to get in her pants. C.D. writes letters disclosing his feelings for her and Roxanne is seduced by the man that writes such letters. What will happen when she meets Chris? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the beginning of the movie we see the 2 guys carrying their ski's, that give 'Charlie' a hard time just because of his nose. The taller / darker haired Man is Kevin Nealon (from 'Saturday night Live') and the fair-haired Man is comedian Ritch Shydner (his more popular stand-up routine included him saying, "I'm Canyon Man!" (then does the sound of the electric door locks). He is credited as "Drunk #1" but we here "Get pissed Rich!" (I am pissed!) - - He is seen one more time later in the film - - when is it?
It is just after the fat, tough guy in the darts bar says, "Where ya goin', big nose!?" We then see the fair-haired Rich (or Ritch) seated at a table with a girl. Rich gives big body language to the tough guy, shaking his head and mouthing, "No!" (as if to say, "do not mess with this guy - he will mess you up.") E-
As the barn door is open to put out the fire, the "fire bar" (steel bar with gas jets) is visible. See more »
Dixie! Hi, how you doing, girl? Yeah, I'm on my way. I'll be there in about five minutes. I'm bringing it! I've only had it a year and a half, I told you I'd return it. OK. So long. Talk to you later. All right. All right. Bye.
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Comet Kowalski/Charlie flies through the night sky as the credits roll. See more »
Roxanne is probably going to go down as the pinnacle of Steve Martin's career as both an actor and a writer. Granted, he's made better movies (L.A. Story, The Man With Two Brains), but this is the one movie that seems to have grabbed the public's attention and keeps bringing them back. And that's because it's deceptively simple, the story of the underdog falling for the girl who has it all. It's peripherally based on Cyrano de Bergerac, but most people haven't read it (or even seen a movie adaptation), so much of the intricacies will be lost. But everyone can identify with the main character, C.D. Bales, and the story of his doomed love.
The movie is a romantic comedy, but that's too simplistic. It's full of incredible situational and verbal humor. Whether he's playing a slapstick routine trying to leave Roxanne's apartment or trying to think up the (more than) twenty insults that would be better than `Big Nose,' Martin's pen rarely falters. He can do drama, as evidenced by the scene on the roof with the overweight kid. And he writes compelling poetry: when C.D. speaks from his heart under Roxanne's window it threatens to turn hokey at any moment, but never does. The power of the movie is in the screenplay, and Martin's written a doozy.
Of course, it also doesn't hurt that C.D. is such a sympathetic character. Actually, sympathetic is probably the wrong word. He's such a strong and dynamic character that every man would want to be him and every woman would want to have him if it weren't for that stupid nose of his. Think about it: he's athletic, charming, well-read, witty, and handsome. And that's what makes it even worse for the viewer: knowing all these wonderful things are stuck inside this man and people can't see past his nose, pun not intended. Martin totally inhabits C.D. Bales: he knows him so well that it's second nature. He looks like he's having a blast with it, too, which helps the audience quite a bit.
It's not all Steve Martin, though (although it seems like it at times). The supporting cast does well with their roles and goes far beyond what I would have thought possible. Example: Daryl Hannah, an actress with a hit-and-miss record that's mostly miss, is surprisingly convincing as an astronomy student who knows about sub-nuclear particles and comet trajectories. Or Michael J. Pollard, who takes a role that's pretty much a series of one-liners and makes me remember him above all the other firefighters by the pure glee that he takes with every line.
It's certainly not perfect, nor is it Martin's best offering, but that's beside the point. The point is that it's the kind of movie people really enjoy but can't put their finger on just why. Well, the movie is smart, and that's why people find it refreshing. It's not simply a cookie-cutter romance with the typical leading man and the regular lines: it's got a heart and humanity that most romantic comedies disregard as unnecessary. 8/10
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